Greenland Kayak Balance Stool - Issiaveeraq qajaasarfik
Introduction
Issaveeraq qajaasarfik roughly translates
to Kayak Learning Stool. In order to preserve
the Greenland heritage and
history of the Board this has been
adapted to Greenland Kayak Balance Stool . There is a replica on display in the
museum at Tasiilaq on the East coast of Greenland.
The Danish Researcher H.C. Petersen, on page 10, of his book "Qaannamik pinnguaatit", Atuakkiorfik, 1994, has written that the balance stool in Greenlandic is called: "Issiaveeraq qajaasarfik".
Quote:
Boys, when
growing up, become progressively good travellers but are too young to use a
kayak. At this time they already have and use (playing) spears. They start with
a piece of unfurnished wood which they play with all day long. The spear is
only furnished when they grow older.
At
home, they are given a small chair. It is elongated, approximately the same
size as the boys thighs. The legs (on the chair) are boards, placed on the
further ends of the chair, the part touching the floor is curved. Therefore it
is prone to wobble which is exactly the purpose. The boy is sat on the chair
placing his legs on the longest part. He (really moves his thighs), and
capsizes a lot. But when given a kammiut (a wooden tool for softening kamiks)
as a paddle, he learns not to capsize that often. Mother's kammiut makes the
boy feel he is kayaking for real.
When
father is already home, when the family is about to eat, the father or the
grandfather gives the boy seal ribs to rip (with his teeth) telling him to eat
it while sitting on the chair, telling him to eat the ribs while holding
it with both hands. The boy, while ripping, tries to sit upright, using his
body his arms bent on his elbows and (using) his legs to sit upright.
The
chair is used by the boys to practice on to sit upright on a kayak before
getting a kayak. Long time ago it has been used. How far it has spread is hard
to say. It was rare in the 1900's so the memory of it is limited.
(Text under picture)
A small chair 'where you pretend to be a kayaker' where boys practice
sitting upright.
Grateful thanks to: Aviâja Rosing Jakobsen, Curator Greenland National Museum &
Archives in Nuuk Greenland for the information.
Dina Fisker Sandgreen @ Qeqertarsuaq Museum Greenland for the
translation.
How can this piece of Inuit equipment help
the modern day kayaker? By improving
balance for paddling a kayak whilst working on core strength, flexibility,
posture, alignment and muscle memory during the stroke.
Consider this extract from the ICF
Coaching Manual:
5.2
BALANCE
Good balance is critical to successful
canoeing. Balance is always a factor for paddlers, from the beginner to the
elite athlete. A strong sense of balance becomes more and not less as paddlers
advance to racing.
The characteristics of the practice of
canoeing determine that the stability of the paddle and therefore the boat is
considered of great importance in the technical training of athletes. If the
paddler cannot solve his stability problems in the kayak or canoe it will
result in development becoming partially or wholly limited.
Any paddle motion that involves
correcting the balance of the boat directly takes away from the propulsion of
the vessel thus reducing the forward speed.
The stability of the paddler depends on
several internal and external conditions.
Internal conditions are weight , height,
sense of balance age etc, all these can be controlled by the paddler. The
external elements are wind ,waves and currents which cannot be controlled by
the paddler.
BETTER BALANCE COMES WITH PRACTISE.
The next part of the ICF Manual includes a
matrix titled the The Seven Faces of
Training. Stage one is all balance. This reduces to fifty per cent on stage two
and twenty five per cent on stage three. Balance only disappears when the
paddler is considered to be at an advanced stage.
This part of the ICF manual is confirmation
that improving a paddlers balance is of critical importance to improving speed
and efficiency.
When we first start paddling some of us are taught
using the simple but well known four stage formula of Catch, Power, Recovery
and Set Up. As we progress beyond beginner to intermediate and beyond we
naturally develop slightly different paddling styles and techniques but still
utilising the original basic formula. It is for the individual to mould and
adapt their variations of this basic technique
to produce a style which they are
comfortable with. The effectiveness of different styles and equipment varies. The pursuit of the ultimate stroke is a journey which has no end. It is
important to be constantly thinking about your stroke and to keep it under
review. You should never sit back and think for one moment that you have
cracked it.
The Balance Stool provides a valuable land
based resource to supplement and assist training and learning. This is
especially so when conditions are not conducive to paddling for instance when
it is cold, dark, wet and windy
outside or we are in Lockdown and are not permitted to paddle on water. It is particularly useful for introducing paddlers to the interaction
between the various components of the body which are used during the cycle of
the four main parts of the stroke.
It is written that One stroke cycle involves twenty five
thousand muscle movements and is one of the hardest movements to learn in
sport.
There is a saying in Yoga, once a week is a
pastime, two or three times a week is a hobby. Six times a week is a way of
life. If you are to learn and
efficiently coordinate these twenty five thousand movements then the same applies
to paddling. To improve and learn you must spend time to practise.
There is a wealth of knowledge currently on
the internet with lots of really useful videos. In order to
transfer this information to the boat you must first understand the information
given out by the various coaches and then practice it. This practice needs to
be, correctly learnt and then repeated numerous times for it to become natural
otherwise old habits will return. Any time spent being coached and watching videos will have been wasted.
The board is basic and without any moving parts. It can be frustrating when you try to decide what to actually do with it. You can sit on it and practice your stroke or wobble from side to side. A big mistake, often made, is to think that the board is some form of Ergo or paddling machine. This is not what it is designed for. Also just like a cycle turbo trainer unless there is some set programme to work to the chances are you will become bored very quickly.
For most, if not all of your sessions on
the board you are going to be on your own and without the benefit of a coach.
If you are to achieve the aim of using the board several times a week you will
need to become self reliant and able to see and adjust your form in real time
as you go through the drills. The ultimate goal is for you to coach yourself.
To achieve this a mirror is strongly recommended when carrying out these
drills. It should be propped up at the front of the board. This is essential
for you to check your set up prior to each drill. What you think and feel you
are doing is quite often very different to what you are actually doing.
To use the board you will need a) a
mirror as just described b) a paddle shaft without blades. Once you
understand the 90 x 90 x 45 rule described in Stage 1 you should mark the
inside of your hand position on the paddle shaft with insulating tape. You will
be able to quickly readjust your hand position should they move or slip.
The stability of the board can be adjusted
by varying the floor surface under the board. A hard smooth surface such as
tiles will make the board less stable than a deep pile carpet or Yoga mat.
When you first sit on the board remember
the phrase: WHEN IN DOUBT FEET OUT
Where feasible perfect each drill with your
feet on the floor before bringing them onto the board.
Below is a list of drills which have been adapted for use on the Board.
Comments
bow string (heigth) = 150 (from floor to seat) (higher = less stability)